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2006.10.19 _ 11.9

 

 

Separate and Connect
by ³ëºÎÀ¯Å° ´ÙÄ«ÇϽÃ



 


2006³â 10¿ù 19ÀÏ (¸ñ)ºÎÅÍ 11¿ù 9ÀÏ (¸ñ) °¶·¯¸® ÆÑÅ丮¿¡¼­ ÁøÇàµÇ´Â ÀϺ»ÀÛ°¡ ³ëºÎÀ¯Å° ´ÙÄ«ÇϽÃÀÇ °³ÀÎÀüÀº ±â¼ºÇ°À» ÀÌ¿ëÇÏ¿© È­ÇÐÀûÀÎ º¯ÇüÀ̳ª ¿Ö°îÀ» ÅëÇØ ¿ì¸®°¡ ½±°Ô °£°úÇϰųª º¸ÀÌÁö ¾Ê´Â À̸éÀÇ ¼¼°è¸¦ Á¦½ÃÇÏ´Â ¸ÖƼ¹Ìµð¾î ¼³Ä¡ÀÛ¾÷À¸·Î ÀÌ·ç¾îÁø´Ù. ƯÈ÷ Àü½Ã°ü ÀÏÃþ°ú ÀÌÃþÀ¸·Î ºÐ¸®ÇÏ¿© ÀÏÃþ¿¡´Â ±×°¡ Áö¼ÓÀûÀ¸·Î ÇØ¿Â »ç¿îµå ¼³Ä¡ÀÛ¾÷ÀÎ <Voice of Things>ÀÇ »õ·Î¿î ¹öÀüÀ» ¼±º¸À̰í, ÀÌÃþ¿¡¼­´Â ÀϺ»½Ä Àû»ê°¡¿ÁÀÇ ÇüŸ¦ À¯ÁöÇϰí ÀÖ´Â °¶·¯¸® ÆÑÅ丮ÀÇ °ø°£ÀûÀΠƯ¡À» ÀÌ¿ëÇÑ ÃµÀ弳ġÀÛ¾÷À» ¼±º¸ÀδÙ.

°¶·¯¸® ÀÏÃþÀÇ Àü½Ã³»¿ë
»ç¿îµå¼³Ä¡ÀÛǰ Á¦¸ñ: <Voice of Things>
À½·á¼ö³ª ¼¼Á¦, ·Î¼Ç, ¾ç³äÅë °°Àº ÀÏ»óÀÇ ¹°°ÇµéÀº ³ª¸§´ë·ÎÀÇ ¼Ò¸®¸¦ °¡Áö°í ¼­·Î ¿¬°áµÇ¾î ÀÖ´Ù. Àü½Ã °ü¶÷°´µéÀº ½ºÀ§Ä¡¸¦ ´­·¯ ÀÛÁö¸¸ °¢°¢ ´Ù¸¥ ¼Ò¸®¸¦ Çü¼ºÇÏ´Â ÀÌ ÀÏ»óÀÇ ¿ëǰµé¿¡ ±Í¸¦ ±â¿ïÀÌ°Ô µÈ´Ù. ¿ì¸®´Â ¹°°ÇÀÇ È¤Àº »ç¶÷ÀÇ °Ñ¸ð½À¸¸À¸·Î ±× ¿ëµµ¿Í ¼ºÁúÀ» Æò°¡Çϰï ÇÏÁö¸¸, ÈçÈ÷ Áö³ªÄ¡±â ½¬¿î º¸ÀÌÁö ¾ÊÀº ºÎºÐÀ» ºÎ°¢½ÃÄÑ ÀÏ»óÀÇ ÀÛÀº ºÎºÐ¿¡¼­µµ °¢±â ´Ù¸¥ ¿ªÇÒ°ú Á¸Àç Àǹ̸¦ °¡Áö´Â »ç¹°¿¡ ´ëÇÑ °³³äÀ» º¸¿©ÁØ´Ù.

°¶·¯¸® ÀÌÃþÀÇ Àü½Ã³»¿ë
õÀ弳ġÀÛǰ Á¦¸ñ: <Rip Up>
Ƽ¼ÅÃ÷¿Í ³ØÅ¸À̸¦ °¥±â°¥±â Âõ¾î °¶·¯¸® ÆÑÅ丮ÀÇ ¸ñÀç õÀå¿¡ ½Å°æÁ¶Á÷¸Á°ú °°Àº ÇüÅ·Π¼³Ä¡ÇÑ´Ù. Ƽ¼ÅÃ÷´Â ¿À´Ã³¯ °¡Àå ¾Ö¿ëµÇ´Â ÀÇ·ùÀÇ Á¾·ùÀÌÀÚ ¸¹Àº »ç¶÷µé¿¡°Õ ¸¶Ä¡ ¸öÀÇ Ç¥¸éó·³ ÀÛ¿ëÇϱ⵵ ÇÑ´Ù. ¸¶Ä¡ ¸öÀÇ ÀϺΰ¡ õÀå À§¿¡ ÆîÃÄÁöµíÀÌ ¸ö¿¡ ´ëÇÑ »õ·Î¿î ½Ã°¢À» ÀçÇöÇϰí À籸¼ºÇغ¸´Â ¼³Ä¡ÀÛ¾÷ÀÌ´Ù.

 

 

Sound installation at the first floor
¡°Voice of Things¡±
Daily necessaries in our personal belongings connect in series circuit generate from the contents of drinks, detergents, lotions and seasonings and then connect the end buzzers. Audiences at the gallery push the switches, so they feel weak sounds from things. We usually look the surface of things, packages, appearances and indications. I will try to show unseen sides of things.
second floor /
¡°rip up¡±
I rip up Tshirts and tie to the ceiling with naked lumbers like a synapse network. Tshirts is one of the popular cloths in these days, so we can say it is one of surface of body. I try to spread body in the air and represent reconstruct new vision of body.

 

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ÀÛ°¡ ¾à·Â
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±×´Â ÀÛ°¡ÀÌÀÚ 2003³â ÀϺ» ³ª°í¾ß¿¡ °³°üÇÑ Àü½Ã´ë¾È°ø°£ÀÎ Ç÷¯½º°¶·¯¸®_ + GalleryÀÇ µð·ºÅͷμ­ ½ÇÇèÀûÀÎ ÀϺ»ÀÇ Çö´ë¹Ì¼úÀÇ ¸é¸ð¸¦ ¼Ò°³Çϴµ¥ Áß¿äÇÑ ¿ªÇÒÀ» ÇØ¿À°í ÀÖ´Ù. ƯÈ÷ Ç÷¯½º°¶·¯¸®ÀÇ °øµ¿ µð·ºÅͷμ­ ÀÌÁß±Ù, È«¿µÀÎ, ±è±â¶ó µî Çѱ¹ÀÇ ÀþÀº ÀÛ°¡¸¦ ÀϺ» Çö´ë¹Ì¼ú°è¿¡ ¼Ò°³Çϴµ¥¿¡µµ Å« °øÇåÀ» ÇÏ¿´´Ù. 2002³â ÀÌÈÄ¿¡´Â °ø°ø¹Ì¼ú ÇÁ·ÎÁ§Æ®ÀÇ ÀÏȯÀ¸·Î º´¿øÀ̶ó´Â ƯÁ¤ °ø°£ ¾È¿¡ ¿¹¼úÀ» °³ÀÔ½ÃŰ´Â ÇÁ·ÎÁ§Æ®¸¦ ²ÙÁØÈ÷ ÁøÇàÇØ ¿À°í ÀÖÀ¸¸ç, 2006³â ¿¡Ä¡°íÃ÷¸¶¸® Æ®¸®¿£³¯·¹_ Echigo-Tsumari Art triennial 2006¿¡¼­ ±×ÀÇ °ø°ø¹Ì¼ú ÀÛ¾÷À» ¼±º¸¿´´Ù. 2006³â ¾ÆÁÖ ¹Ù»Û ÇÑ ÇØ¸¦ º¸³½ ÀÛ°¡´Â 2006³â 9¿ù ij³ª´Ù Åä·ÐÅä ¸Ó¼­ À¯´Ï¾ð_Mercer Uunion¿¡¼­ ¡°Voice of Things¡±¶ó´Â Àü½ÃÁ¦¸ñÀ¸·Î °³ÀÎÀüÀ» °¡Áø¹Ù ÀÖÀ¸¸ç2006³â µµÄì ½ÃºÎ¾ßÀÇ ¿ø´õ»çÀÌÆ®_Wondersite Shibuya¿¡¼­ÀÇ Àü½Ã¿Í ¿µ±¹ ·±´øÀÇ Àü½Ã°ø°£ ¼¿_ CELL project spaceÀÇ Àü½Ã¿¡ Âü°¡ÇÏ¿´´Ù. Çѱ¹¿¡¼­´Â óÀ½À¸·Î 2006³â 10¿ù °¶·¯¸® ÆÑÅ丮¿¡¼­ °³ÀÎÀüÀ» °®´Â´Ù.

 

Nobuyuki Takahashi
Completed his MFA at Aichi Prefectural University of Fine Arts and Music in Japan in 1995. Based in Nagoya Japan, he has exhibited his work nationally and internationally. He mainly creates installations with ready-mades, which he manipulates or alchemically assembles in an attempt to reveal their invisible or unexpected aspects. In 2003, he started an artist-run space +Gallery in Nagoya with two other artists; they have organized many alternative and experimental exhibitions and events. Since 2002, he has also been directing a collaborative project between artists and hospitals (art for the hospital project), exploring and suggesting the potential of art in society.


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